Jene Highstein (1942-2013)

Constructed 1976
Installed 1980

 
Painted cement over steel structure
Height: 72 in. (182.9 cm)
Diameter: 76 in. (193 cm)

Located across from Cobb Hall
5811 S Ellis Ave

Donated to the University by Betsy and Andy Rosenfield in honor of Lindy and Edwin Bergman (former Chairman of the Board of Trustees)

Artist Profile

 

 

 

 

“The density...generates an awareness of one's own physical weight and mass in relation to the sculpture. Comprehending [Black Sphere] is an intuitive rather than deductive process—one of body empathy and movement through the space in response to the object.”
Michael Auping, “Jene Highstein/MATRIX 26”


Black Sphere is one of five black concrete sculptures created by Jene Highstein between 1975 and 1977, with a distinctly spherical shape that sets it apart from the other four mound-shaped works. Where the latter are firmly grounded, rising gradually from the plane upon which they rest, Black Sphere sits precariously, perched like a ball about to set in motion. Movement is more than merely formally invoked, as Black Sphere has traveled extensively from its initial installation at the Holly Solomon Gallery in New York in 1976, to its current siting on South Ellis Avenue in Chicago.

This is no mean feat for a 3,000-pound steel and concrete sculpture, whose industrial materials convey a density of mass that is only further accentuated by the opaque black surface of the sphere, stretching just over six feet in diameter. Despite the sense of solidity the sculpture imparts, its concrete surface is a mere skin. Constructed by the gradual application of concrete by hand to a mesh-covered, hollow steel armature, Highstein's Black Sphere was achieved by a process of human approximation that is markedly different from the exacting industrial procedures of most Minimalist sculptors. It defies the formal expectations of regularity that its geometrically-derived shape invites. Although it suggests all the industrial might of large-scale construction, Black Sphere is far frailer than it appears, and its many moves have necessitated numerous restorative efforts that have materially transformed the sculpture.

 

Written by a student in the Spring 2015 Public Sculpture class

 

Related Links

Black Sphere at The Renaissance Society, 1980


Sources

“Alanna Heiss and Jene Highstein, Parts 1 and 2.” The Clocktower Oral History Project. Clocktower. Part 1. Part 2.

Auping, Michael. “Jene Highstein: Black Sphere, 1976,” MATRIX/BERKELEY 26. Berkeley, CA: University Art Museum, August 1-October 31, 1979. Online.

Doe, Donald Bartlett, and Neubert, George W. “Jene Highstein: Shapes in the Stream.” Paper 39. Lincoln, NE: Sheldon Museum of Art Catalogues and Publications, 1985.

“Oral history interview with Susanne Ghez, 2011 Jan. 25-26.” Smithsonian Institution, Archives of American Art. Transcript.


Further Reading

Rossi, Laura Mattioli. Lines in Space. Milan: Charta, 2008.

“The Artist in Place: The First Ten Years of MoMA PS1.” MoMA, 2012. Online.


Archival Materials

Photograph of Black Sphere's original campus siting, 1980

Source: LUNA Library, UChicago Public Art Collection and Archive

Photograph of Jene Highstein and Black Sphere at the Holly Solomon gallery

Source: LUNA Library, UChicago Public Art Collection and Archive

Photograph of Black Sphere being transported via truck

Source: LUNA Library, UChicago Public Art Collection and Archive

Photograph of Black Sphere at MoMA, 1984

Source: LUNA Library, UChicago Public Art Collection and Archive

Brochure for the MATRIX/BERKELEY 26 exhibition

Source: University of California, Berkeley Art Museum