A Dream is a Wish
by Grace Mayer
Directed by Lara Braverman

Come Here to Me
by Dianne Nora
Directed by Brian Maschka

No Remedy 
by Ariella Carmell

The Shared Wife 
by Merri Biechler​

America’s Sweetheart
by Kajol Char

Wednesday’s Child
by Mark St. Germain
directed by Liam Flanigan

Journey To Mars
by Arthur Forcione
directed by Willem Finn Harling

Crime 
by Rebecca Husk 
directed by Kendall Philips

Bite the Hand that Feeds
by Robert Carhuayo
directed by Kendall Philips

Heretics
by Jacques Manjarrez
directed by Lucia Geng

The Winner Takes it All
by Kenjiro Lee
directed by Lucia Geng

Possession 
by Aaron Carter
directed by Tyrone Philips
 

Stain
by Carla Stillwell
directed by Honey Crawford
 

Something Happens For Joe
by Philip Dawkins
directed by Devon de Mayo
 

A Model Korean
by Kenjiro Lee
Directed by Katie Bevil

Mango and the B
by Arthur Forcione
Directed by Maxine Frendel

Going Up
by Hanna Kime
Directed by Ruthie Dworin

La Maja Desnuda
by Emily Lynch
Directed by Jess Robinson

With Friends Like These
by Omar Almkki 
directed by Lynn Chong

The First Day
by Felix Lecocq
Directed by Lynn Chong

Quack! 
by Teis Jayaswal
Directed by Maxine Frendel

Property Damage
by Abigail Henkin
Directed by Jess Robinson

Admisssion
by Laurence Warner

Up the Riverbank
by Jacques Manjarrez
directed by Ruthie Dworkin

CitrusFruit
by Emma Gardner
directed by Katie Bevil

Making A Killing by Val Bodurtha, dir. Natalie Pasquinelli: You don’t see serial killers in the news anymore. It’s not how it was in the 80s, the killer news coverage replaced by television. Nobody can name a prolific serial killer, but anyone can list their favorite serial killer shows at request. Making A Killing is a one-act comedy that asks, “How do the serial killers feel about that?”

Shades by Cynthia Campos Constanzo, dir. Megan Philippi: A comedic drama looking at what makes a family, and the disparity between those properly and improperly diagnosed and treated for mental health. In working together on a detective case, our protagonists shed light on the treatment of minorities and highlight the power family can offer to loved ones.

The Doll by Hayley Gruenspan, dir. Tempest Wisdom: A girl brings home her trans girlfriend to her supposedly liberal family. The situation quickly goes awry.

Carson by River MacLeod, dir. Hanna Kime: Three friends struggle with transphobia and suicide and to reclaim the meaning of family.

The Last Bus by Ellen Wiese, dir. Sophie Downes: Three former coworkers and a stranger waiting for the last bus at the end of the world. With the rest of everything hidden in a never-ending rain, they discuss call centers, confessions, and a carnivorous newcomer. A bus arrives, an ark is built, and the waters cover the earth.